Showing posts with label M. Night Shymalan. Show all posts
Showing posts with label M. Night Shymalan. Show all posts

Movie Marketing: Yer Doin' It Wrong

Fresh off my first two entries into my Movie Mash series, I thought I'd take a moment to further consider both of the movies covered therein. In particular, I'd like to address unfortunate trends in movie marketing.

The trailers for both The Incredible Hulk and The Happening have been all over TV for the last two to three weeks, heavily pushing the return of two entertainment industry heavy weights. In the green corner, we have the fighter in the purple trunks, Bruce Banner; a.k.a. The Hulk! In the dark and brooding corner we have the apocalypse itself, with a poorly directed Mark Wahlberg offering perspective and encouragement from the apron.

The Incredible Hulk has done a good job of making me anticipate the return voyage of the green giant. The first teasers didn't spark my interest, but the more I saw of the movie, and the more I saw the Hulk in action, the more I wanted to see the movie. Unfortunately, while my own experience shows that this method of marketing may have been necessary to sell the movie to its target audience, I believe it will come at the cost of my enjoyment on opening night.

I guarantee you that the first Hulk transformation will happen off screen. For the first half hour, if the Hulk is present, he will be largely in shadows. The second time Banner transforms, we will only see part of the process, a large amount obscured through creative editing. It won't be until the final act of the film that we see the full blown transformation in all of its bone crushing, muscle tearing glory. The slow build to seeing the visual spectacle that is the Hulk is tarnished by trailers that reveal too much. It's just like a trailer for some second rate comedy that shows every last funny bit in the film (Curse you, Ben Stiller). Disappointing, to say the least.

On the flip side of this issue we have the trailers for The Happening which reveal absolutely nothing about the film except that people are going nuts and the world is apparently ending. This does not bother me. Half the joy of M. Night Shama-lama-ding-dong's films is going into them ignorant of what they're *actually* about (See my previous article detailing my Signs' experience) and discovering the film's true message as the story unfolds.

No, my problem with The Happening's trailer is that the film is being marketed as Shama-lama's "very first 'R' rated film." Now as many of you may know if you frequent my site, I usually detest PG-13 horror. There's no reason for it, it waters down the experience, and detracts from the spirit of the genre. While M. Night's work can largely be classified as scifi or horror, I don't traditionally think of him as working within the boundries of the genre. His films have always include intense situations, but never graphic depictions of sex or violence. This is because the stories he told did not require these contrivences. The stories and characters worked based on their own merits. I'm worried that this 'R' rating is the manufactured idea of some big wig Hollywood producer who thought using the rating to try to appeal to a more mature crowd would increase the film's chance of financial success. In reality, what the rating does is restrict the film's potential audience to those 17 and above, thereby lessening the potential of what ought to be a mainstream movie.

So two movies with trailers that take opposite approaches to selling their product. I find the M. Night Shama-Lama approach tends to make for a more intriguing experience, especially once I'm actually in the theater, but I don't deny that watching the Hulk kick the crap out of Abomination makes me wet in ways a male shouldn't be. Now I'm all sticky. Geek out.

Agree/Disagree with the Geek? Comment below!
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The Happening: Movie Mash

Opening this Friday along with the aforementioned Incredible Hulk universe reboot is the latest film from the once-critical darling M. Night Shama-lama-ding-dong (Shyamalan). After scaring us with The Sixth Sense, making us fan boys geek-out with Unbreakable, and- uh- pissing us all off with The Village, what the hell happened to this guy's career? I can remember a time, slightly before Signs hit the theaters, where people were ranting and raving about Shama-lama's films and how he was destined to be the next Hitchcock.

Then Signs hit, and was almost universally panned. The Village, a sure-fire come-back hit, flopped miserably. Lady in the Water, well, no one saw Lady in the Water. Before I go any further, let me assure you this isn't just going to be an article bashing M. Night's work. I've thoroughly enjoyed all of his films. I'll admit that Unbreakable and Lady in the Water were the only ones that I've watched more than once, but that doesn't change my appreciation for all of his individual projects.


So, now that we've established this article as not being another circle-flaming piece of troll bait, let me seriously reiterate the following question: What the hell happened to this guy's career? For my money, I view his work as well worth the price of admission. I may not care for the actors (Osmond), or I may see the twist coming a mile away (looking at you, Village), but I can confess to never looking at my watch during my first sit through of any of Night's films. That's saying something.

So where did he lose the audience? Where did he lose the critics? The guy's become a laughing stock, an apple fallen very far from the proverbial tree. The way folks are talking, The Happening may be the last film Shama-Lama is able to write and direct and secure funding for. Ever.

The biggest complaints I've heard is over-simplified stories; emotionless, unpenetrable lead characters; heavy handed message delivery and storytelling; and a general air of pretentiousness. I don't really get that last one. Sure, in his interviews, the guy sounds like every movie he makes is going to be the next big thing, but isn't that the kind of passion you want from a person creating something? I have never felt as though a character in one of his films was talking down to me or scolding me for holding traditional, contemporary values. Not even in The Village which was all about a society of people shunning modern life. It's a complaint that just doesn't ring true to me.

I think the real problem people have is that M. Night Shymalan's films are intellectual. Well, to a point anyway. They are not filled with standard Hollywood bump-in-the-night-scares or a thousand-explosions-a-minute-action. They require some thinking to get the most out of the story. Case and point: Signs.

When I went to see Signs (starring Mel Gibson, still hiding the crazy) in the theater, a group of teenage males sat behind me. The lights went down and I was treated to the story of a troubled minister, thrown into a world turned upside down, confronting his own self doubts and regaining his faith in God. The lights came up and the teenagers said "Where the hell were all the aliens? This sucked." They hadn't even remotely seen the same movie I had. Sure, they sat and watched the same visuals up on the screen and heard all the same dialogue, but they just weren't watching the same movie.

Anyway, I'm not trying to blow magic happy smoke up Shammy's ass either. I'll admit that he's never hit quite the same stride he did with his first movie out the gate. But really, movies like The Sixth Sense only come around every so often. It's unreasonable to expect the same perfect cumulation of elements out of every successive project. Unbreakable is a far superior film that isn't so overly reliant on what amounts to nothing more than a gimmick. Signs is a great tale of redemption. Lady in the Water is a wonderful children's bedtime story. The Village- well, fuck The Villiage, we all have our off days.

As for The Happening, if the story looks good to you, go see it. Don't get worked up about is this better than The Sixth Sense or what the stupid twist at the ends is going to be. Just go and enjoy the story. This man's career needs the vote of confidence that only our hard-earned movie dollars can provide. Love him or hate him, no one else in Hollywood is making films quite like Shymalan. I for one would like him to be able to continue.
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